Monday night football's theme (not the Hank williams Jr. intro) will always be the best IMHO. That would be 'Heavy Action (Theme from Superstars)', written for a BBC 1970s classic that pitted stars from various sports competing against one another, in which Olympic judo medallist Brian Jacks demonstrated his astounding squat-thrust ability. And Kevin Keegan fell off his bike. (They've revived it once or twice, but these days the top footballers would never be allowed to compete.) There are plenty of British themes that make the spine tingle. Getting the MotD theme back every week was a relief. The opening and closing Wimbledon themes are something I miss in the US: they're terr'bly, terr'bly English, redolent of warm Pimms, cold strawberries and gentlemen's cologne, especially the tootly-marchy closing theme. Oh, the golf music as well. 'Soul-Limbo' for the cricket. 'Pop Looks Bach' for Ski Sunday, the nasal wow-wow synth for Rugby Special, the almost sleazy lounge sensibility of The Big Match. And so on. I hate 'World In Union'. Not just because it was a rip-off of the 'Nessun dorma' approach, but because of the pseudo-uplifting lyrics; I hate the Champions League theme (a bastardisation of 'Zadoc the Priest') for the same reasons. It's really not the same for American sport. The one iconic TV theme is nicked from the British, and the iconic club song is rare indeed. College fight songs come close, but they're cued up by the band. Compared to the spontaneous swell of 'You'll Never Walk Alone' at Anfield -- or, slightly less lofty, 'All The Geordies Went To Rome' for my own lot -- the 'whoa-oh-ohhhh' of Turner Field is just a bit sad. Italia 90, though: watch the linked BBC introduction, and you'll get the spine-tingles: the climax of the aria accompanied, in perfect sync, with Pele borne aloft and Cruyff working his magic. The BBC knows how to do opening sequences for the big, once-in-four-years events; interesting that RAI's opening was very different. And as Des Lynam suggests in his intro there, and then before the final, it transformed 'Nessun dorma' from one of the many unknown arias to one of the few well-known ones. You often read opera critics saying that Pavarotti had a habit of phoning it in during the last 20 years of his life. Well, if that's phoning it in, I wish I'd been there for when he showed up. And chicobangs: the life of most football fans is basically sadness punctuated with moments of joy.
NBA on CBS Theme (1970's) "Give it all you got, take your your very best shot and may the best team win. The time is now, the name of the game is action. They're on the floor, and they're ready to score, so let the game begin, and let's see how the ball rolls around today..." (Or something like that)
Why not "Guantanamera?" Judging from sheer grandstand use, that's the most popular song in the sport. (I kid, but not completely.) Well, if we're gonna go with grandstand use, we've got all kinds of splendid examples of musical excellence like that (can it even be called a song?) "Ole, ole ole ole....oooooole...oo-oo-
layyyyy!" business. So perhaps that should be, at best, a minor consideration. I just remembered, BTW, that "Nessun Dorma" was also used in "Bend it Like Beckham", in a scene that simultaneously managed to poke some fun at the way in which such anthems are (over)used to try to elevate a Great Sporting Moment, with the result of making it merely mawkish...and yet showing that, yeah, it's overdone, but there's something there. A really well-done moment in a really well-done movie. (and BILB also featured great use of music in sports, sort of, in the closing credits -- specifically, the Bollywood version of "Hot, Hot, Hot". It's indescribable)
Most Canadians would agree that our second national anthem is pretty popular up here. And, for a reason that I can only assume touches some primal part of my psyche, when they play the Nickelback/Kid Rock cover-version of "Saturday Night (Alright For Fighting)" over clips of Leafs/Habs or Leafs/Senators before that matchup, it just seems to work.
grum, take a step back. Nickelback? Kid Rock? Think about this. Just because I was considering grandstand use in no way meant I thought it should be the only criterion. Guantanamera is also a lovely song as a song, all the more so because of how easily it's been customized for each team it's sung for. That Olay song has neither of those upsides. In fact, anything pushed on the fans from the Great Corporate Above should not count in this discussion. (Given all this, You'll Never Walk Alone is wonderful for so many reasons.)
grum, take a step back. Nickelback? Kid Rock? Think about this. Oh, I know. It's bad. But that's the version they use in the promos before the game starts, and they sync it well with the hits/fights/checks. I prefer the Elton John version, but they don't play it. Like I said, it goes past my conscious thought and touches something primal in me. I admit to it, but I'm not proud of it.
Actually, I'm with grum. Whenever I hear any Nickelback or Kid Rock, it goes right to my primal urge to savagely beat Nickelback and Kid Rock with a hockey stick.
Are we limited to the whole sport, or internationals, or what? Because while I'm not much interested in football, I'd love to have heard "You'll never walk alone" before they shut Anfield down. Andthe Marseille at the Stade de France was... wow. Mere words cannot describe. (And while I'm at it, why don't Scotland use Scotland the Brave instead of Flower of Scotland?)
"Andthe Marseille at the Stade de France was... wow. Mere words cannot describe." Well, not that word anyway: La Marseillaise The haka, if you'd dare to call it a song, is something special, as is Flower of Scotland at Murifield (which pisses all over Scotland the Brave which is far too chirpy and twee to precede a game of rugby). For TV theme tunes, it was hard to beat the old cricket music, and the old music for the golf and the snooker on BBC (before they unnecessarily revamped them with added swooshes and explosions to make them sound like adverts for Dolby Surround). Shouldn't forget also Freddie Mercury and Montserrat Caballe's duet that was later adopted by the 1992 Olympics in... Barcelooooooooooooonnnaaaaaaaa
aaa!
